Longquan celadon characteristics to the extreme

Longquan celadon characteristics to the extreme Su Wei Longquan celadon works exhibition was held in Sanshitang, a cultural relics headquarters in Guangzhou from January 15th to 31st. It is understood that Su Wei is a representative of a new generation of celadon artists in Longquan. He is loyal to tradition and does not follow the innovation and development on the basis of inheriting traditions. His works are simple in shape, elegant in atmosphere, rich in glaze, warm and jade, and purely flawless, especially the extremely difficult “thin tire pattern” is called Celadon is an absolute must, and the "brother's union" and "innovative form" are its strong personal artistic styles.

Loyal to the traditional “thin tire pattern” into his works A celadon that was produced in Longquan, Zhejiang Province is a treasure in Chinese porcelain products. It has a reputation of “quality jade, bright as a mirror, and sound as loud”. It is reported that Su Wei, as a representative of Longquan's new generation of celadon artists, is loyal to tradition, and does not follow the tradition of innovation and development, and forms a unique personal artistic style. The work is exquisitely crafted, glaze is crystal clear, and the glaze layer is full, delicate and moist. Jade but also better than jade, and to Longquan celadon "thin tire thickness glaze" to the extreme.

“Longquan celadon art work is hand-rolled, and then it is made by many processes such as repairing billets, drying billets, glazing, and kiln firing and firing at temperatures above 1300° C. Generally speaking, Longquan celadon is mostly Plain surface, coupled with the traditional characteristics of 'thin tire thick glaze', the requirements of the glaze is particularly high, and the glaze is flowing at 1300 °C high temperature, often very easy to go glaze, burn, so the thick glaze Longquan celadon yield Very good luck.Good luck, 10% of the finished product rate is very happy." Su Wei is a "thick fetal thick glaze" master, celadon works from his hands thin as paper, thickness of 1.5 mm or less, can be called For the perfect traditional classic Longquan celadon works.

Due to the thin and easily changeable type of the tire, since ancient times, Longquan celadon has many small pieces and has a large device. Su Wei said that “Arty people are bold” and tried and successfully produced large pieces with a diameter of 80 cm or more. In addition, "Yao Wen" is also a must for Su Wei's celadon works. It is understood that "Ying Wen", also known as "Ying marks," is a term used by ancient Chinese people for the identification of Tibetan porcelain. Because it is random and has a certain sense of beauty, it has become a method of porcelain decoration. However, the “** pattern” has a very high technical requirement for the porcelain makers, not only to control the dry temperature of the environment, but also to match the rotational speed of the embryonic machine with the stability and strength of the porcelain makers. This difficult job can be completed. In addition, the "thin tire" feature of Longquan Celadon can be said to be even more difficult, a little careless, and the whole device destroyed.

Committed to innovation and craftsmanship of "brothers" combined with instrumental innovations. In addition to the "better-than-experienced" thin tires, Su Wei also successively developed innovative techniques such as "brother mix", "brother twisted tires" and "dotted strands". . What is the "brother" combination? This will start with the five famous kilns in the Song Dynasty. Historically known as the "Five Famous Kilns in China," the official brother named Lu Gezhong's "Gao Kiln," refers to Longquan's celadon. The traditional Longquan celadon is divided into two types, "Ge kiln" and "di kiln". "Ge kiln" thin fetal glaze thick, glazed open, is "porcelain treasures"; "diyao kiln" green glaze, smooth and pure, known as "the flower of celadon." The modern Longquan celadon works have successfully blended the artistic features of 'Kang Kiln' and 'Ki Kiln' through the innovation of the firing process. Not only is the glaze green and green, but it also has a special effect of 'Gold Wire'.

“This is the “Twisted Jade Jade Spring Bottle”, which is made by twisting the different colors of the fetal soil. After firing, it shows a natural texture that is like a cloud of water. This is the 'Gold Union' creative work, “The Sphere Bottle,” The lower carcass is Gezi kiln soil, and the upper part is Dizi kiln soil. Through the effective control of glazing water and firing temperature, the artistic features of the blending of 'Geok' and 'Yiyao' are naturally presented. The "Yi Chun" produced by the decoration techniques such as 'Engraving' and 'Gold and Didi'."

Su Wei has not only made breakthroughs in innovative decorative techniques, but also has made great achievements in the innovation of celadon. For example, the celadon work “The Brawl Tea Ceremony” displayed at the Su Wei Longquan celadon works exhibition held in the Guangzhou Cultural Relics Headquarters has a special type of inverted triangle, which is not only beautiful and novel, but also extremely difficult to fire. “The carcass of thin paper is in the shape of an inverted triangle. In the high temperature environment above 1300°C, it is easy to soften due to the lack of support points. This is a test for the producers' extremely high technical difficulty.” Guangzhou Cultural Relics Head Office Sanxi Tang’s manager Zhao Hao introduced that “fighting tea and tea ceremony” has been sold out after being on the market, and orders are now at the end of the year.

Character brief introduction Su Wei Su Wei, born in 1975, graduated from the Jingdezhen Ceramic Art Institute, is currently a craft artist, Lishui master of arts and crafts, Longquan is a new generation of celadon artist representatives. Since joining in the work in 1993, in 19 years, Su Wei has been devoted to the study, research and practice of celadon. He not only created the "Longquan Tianyi Celadon Factory", but also developed the "Gold Cow" and "Gold Mix" one after another. "," "dotted strands" and Other innovative processes.

Su Wei's recent artistic achievements (part)

On November 3rd, 2007, the independent design and production of "Peony Bottle" won the "Hundred Flowers Cup" Chinese Arts and Crafts Boutique Silver Award at the 8th China Arts and Crafts Master Works and Fine Arts Exhibition.

On November 9th, 2008, the independent design and production of “Grey Blue Glaze Dragon Plate” won the 9th China Arts and Crafts Masters' work, and won the 2008 “Tian Craft Garden·Hundred Flower Cup” Chinese Fine Arts Excellence Award.

On January 9, 2009, the independent design and production of the "Twinned Folding Fan Bottle" won the gold medal of Asian Non-material Cultural Heritage at the Asian Art High-end Market Expo. This work is a permanent collection of the Hangzhou Southern Song Guan Kiln Museum.

On July 1st, 2009, the independently designed and produced works "Spring Garden" and "National Day 2009" won the Silver Award and Excellence Award of the "Eastern Cup" of the first China Zhejiang Fine Arts Fair.

On August 15, 2009, the independent design and production of "Fenghai Corrugated Bottle" won the gold medal at the 7th China Arts & Crafts Fair and Collectibles Expo.

On July 22nd, 2009, the independent design and production of “Flying Dragons in the Sky” and “Rich Wealth” all won the Silver Award of Longquan Celadon Fine Art (Traditional) at the 2009 Shanghai Art Fair.

On August 17, 2009, it was named as the top ten cutting-edge artists of contemporary Longquan Celadon.

On September 5, 2009, the independent design and production of "Fengxia Yingchao" was permanently collected by the Chinese National Treasure Museum.

On May 2, 2010, the independently designed and produced pieces of "Lac Fish Carp Bottle" and "Clothes" won the Silver and Bronze Awards for the "Tian Craft Garden Cup" of the Second China Zhejiang Arts & Crafts Fair.

On September 15th, 2011, the independent design and production of "Spring Blossom" and "Ink and Wash Landscape Pot" were collected by the Zhejiang Provincial Museum forever.

Links to modern Longquan celadon prices have skyrocketed in recent years. Longquan celadon has seen several rises and falls in history. It began to burn in the Five Dynasties and entered the heyday of the Song and Yuan dynasties. There were numerous kiln fields and a wide range of distribution, forming the famous Longquan kiln. The products were sold both at home and abroad. Before and after glory for hundreds of years. In the middle of the Ming Dynasty, the decline gradually began. By the beginning of the last century, the fire in the Longquan celadon kiln was almost completely extinguished. In 1957, Zhou Enlai, the then Premier of the Chinese State Council, instructed the restoration of celadon production. On September 30, 2009, Longquan celadon traditional firing techniques were formally selected as UNESCO's “Introduction to the Intangible Cultural Heritage of Mankind”. For more than 50 years, Longquan celadon has regained its reputation and reinvented its former glory.

“Modern Longquan celadon has a variety of decorative techniques, including the combination of 'brothers', the design of exposed embryos, the enrichment of glaze colors, and the increased use, etc. With the help of modern methods of controlling temperature, the two kiln firing techniques, Gege Kiln and Kiln Kiln, are applied to the same porcelain. At the same time, it was completely impossible in ancient times.” Manager of the cultural relics store in Guangzhou Sanxitang Zhao Min introduced that the modern Longquan celadon innovation and development, full of sense of the times: “The market price of modern Longquan celadon is steadily rising, in Sanxi Hall, the same level of contemporary Longquan celadon, this year's price rose by about 20% to 30% compared to last year. Most importantly, compared with the modern celadon collection hot in Hangzhou, Shanghai, and Beijing, Guangzhou's celadon collection has only just begun. There is a lot of room for appreciation."

According to reports, the prices of celadon works by state-level masters are currently around 150,000 yuan, the prices of high-end works can reach several hundred thousand yuan, and the works of provincial masters are about 50,000 yuan to 100,000 yuan. Works by municipal masters In 10,000 to 50,000 yuan. “Compared with other porcelains, although the price of the Longquan Celadon Pyramid is not as high as that of OtherS, the overall price of the works is generally not low. This is related to the high production cost, low yield, and low output of Longquan Celadon.” Zhao Wei told According to the reporter, the production skill of Longquan celadon is higher than that of Jingdezhen porcelain, and the finished product rate is extremely low, about 23% or so: “However, compared with Jingdezhen porcelain, the price of modern Longquan celadon still has a big gap. The price is very low!"

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