The contradiction between Shoushan stone art and material

Art creation must be premised on the existence of carriers. Therefore, it is unscientific and not practical to place too much emphasis on the side effects of carriers on creation. In the aspect of Shoushan stone carving, the abstraction of the artist's concept is concrete, and it is expressed in the creation of the Shoushan stone wool. But sometimes the combination of the two will also lead to contradictions. The more general view is that the generalization of Shoushan Stone in the texture affects the play. Indeed, the combination of good work and good materials has a quality. But is it actually the case?

This is the ideal

Good work is produced in comparison with the general workers. According to the principle of the pyramid, the scarcity of good work is doomed; but sometimes the concept is not absolute, everything should be dialectical, and comparison will make the head more Clear.

Personally think that the good work in the market can barely make people feel interested, and the general workers feel disgusting. Returning to the ideal, relatively speaking, the role of good work should give people a feeling of beauty, not just intoxicated on the qualifying line, it should be used as a work of art, as a gift of God, forever in the hearts of people. It will make people's mind and body happy; the general workers should play the role of stimulating demand. Although it can't do the cultivation of sentiment, it should have a sense of beauty, so that the action of the guests' pockets is more decisive.

In the process of writing history songs, the role of fine works is the skeleton, and the general products exist as rich muscle tissues. As a representative, the fine products can make people remember it forever, and the general products are willing to go into the customs of thousands of households. Knowing the whole picture, the general product makes people appreciate its richness...

This is the status quo

The market is an invisible hand, and its power is silently working. In this respect, it is characterized by optimal allocation of Shoushan Stone resources. Therefore, it is not necessary to say that good stone works well, and the general stones of different levels also find their respective masters. The premise of all this is that the resources of Shoushan Stone are inexhaustible and inexhaustible.

The reality is always cruel. When one day, high-end raw materials appear to be in short supply, and the sense of crisis in the middle and low-end raw stones has come.

Most of the original high-end stone materials were reasonably applied, but the low-end stone materials that dominated the market were cruelly wasted. When one day even the rough in the low-end market is also tense, the trend of distorting the entire market has emerged.

On the one hand, the Shoushan Stone Market is sluggish, and on the other hand, the price of Shoushan Stone is high and even rising. These are all abnormalities. In addition to the reasons for the lack of good stones, the main reason is that the rough rotten makers are very popular, resulting in many Shoushan stone finished products without aesthetics, which can not afford the buyers' interest. Then why is the price of Shoushan Stone more and more expensive? This is the reason why the invisible hand of the market is working, because the resources of Shoushan Stone are increasingly exhausted, leading to contradictions between supply and demand.

This is the way out

The reality is cruel, it always tears the dream ruthlessly and gives people pain. The history of Shoushan Stone has evolved to the present day. The main character is utilitarianism. The main thing is hypocrisy (mainly refers to the fact that businessmen do not speak honesty in the process of selling). The works are constantly coming out in large numbers, impacting the market and impacting people's hearts. In the case that the high-end rough stone is basically disappearing, the middle and low-end rough stones are also faltering, and they are about to enter the point of being overwhelmed. From emphasizing the government's protection of resources (there are too many clichés in this respect, no longer arrogant), the emphasis on low- and medium-sized rough stones should be placed on the table, completely abandoning the contempt for it and letting every stone Give full play to its characteristics and try its best to play its role. In this respect, the masters should change the posture of high and high, and realize that every stone with characteristics is worthy of artistic creation.

I really hope that one day I can see that beautifully crafted and relatively cheap artworks appear in front of people and can be accepted by the working class, so that Shoushan Stone Culture has found its roots and has since been deeply buried.

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