Gold and silver wrong craftsmanship in jade

Gold and silver wrong craftsmanship in jade

The gold and silver wrong craftsmanship first saw the bronze wares of the Shang and Zhou dynasties. It was mainly used in decorative patterns on various utensils such as bronze vessels, carriages and horses, and weapons. The expression method is to draw a fine pattern on the surface of the object, and form a groove according to the shape of the pattern.

The pure gold or pure silver is drawn into filaments or pressed into thin slices to embed into the pattern, then polished smooth and polished. Make the pattern of the formation of a strong color difference and dazzling metallic luster, it is more prominent, elegant, colorful.

The gold and silver wrong craftsmanship in the jade and the gold and silver staggered gemstone crafts are more common in the Qing Dynasty Qianlong period. In the Qing Dynasty, there was a combination of gold and jade, silk filigree and other crafts of jade, but not gold and silver wrong process. During the Qianlong period of the Qing Dynasty, there were many gold and silver misplaced gemstones in the jade of the Qing court, which was tributed by the “Shengdustan”.

“Shengdustan” is the name of the Qing Dynasty’s mongolian empire in northern India and is located in the Kashmir region and South Pakistan. In the twenty-fourth year of the Qianlong reign of the Qing dynasty, the Qing dynasty sent soldiers to reconcile the rebellion of the size and the Zhuo of the Tianshan Mountains south. After consolidating the Qing government, the Kashgar and Junggar departments each year paid tribute to a number of jade articles.

The jade articles of the tribute are all produced in "Shengdustan", which is mainly practical utensils in life, including bowls, plates, cups, boxes, washing utensils, writing utensils, knives and so on. The shape of the device is unique and the carcass is as thin as a flap.

The main body of the pattern is generally a pattern or clematis, chrysanthemum and other plants. In addition to exquisite gold and silver threads, various stones and glass are embedded. Whether it is the unique styling work or decorative patterns of the objects, it has a strong style.

The pieces are exquisite, fully embodying the infinite beauty created by the combination of jade, gold, silver and precious stones. The shape, texture, color, quality, lustre, and workmanship of the artifacts have all reached a perfect realm.

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The Qianlong emperor, who loved the jade, once undertook the imperial decree of the Qing office to imitate a batch of gold and silver misplaced jade articles, and poetry praised its exquisite workmanship. After the Qing Dynasty light years, the national power was weak and no production was seen again.

The gold and silver misplaced gemstone jade crafts are mostly made of raw materials such as white jade, white jade, jasper, and jasper. White jade and white jade are embedded in gold, and they are inlaid with red, blue, and emeralds. Jasper, ink jade embedded silver, inlaid turquoise, coral, lapis and other precious stones.

The main body of white jade and blue and white jade is light in color, with bright red, sapphire, gold and gold tablets, even more elegant and noble. Jade's luscious luster and gold dazzling metallic luster shines brighter and brighter.

The main colors of jasper and ink jade are deep, together with silver silk and opaque gemstones, making them more stable and dignified. The emerald-white and silver-colored artifacts are embossed with silver-white motifs to create a strong sense of color difference. It is like the stars in the night. It is particularly dazzling, giving the ornament a more striking appearance, and it makes the entire artifact particularly elegant.

It is extremely difficult to make the gold and silver staggered gemstones, and the process is extremely demanding. The lines of the pattern must be smooth, consistent in thickness, and accurate in grooving. Otherwise, the gold wire cannot be embedded. Even if it is barely embedded, it is not firm.

In particular, the combination pattern of gold and gold filaments and the densely ornamented patterns, and the arcs focused on the pattern, the requirements for the slotting accuracy are more stringent and the production is more difficult.

Because gold and silver wrong process gold, silver, all playing, pressure embedded device surface, can not use any adhesive, so it is necessary to smooth the pattern lines, but also accurate slotting accuracy, mosaic flat, no trace of silk. The difficulty of processing can be imagined. There is an error in one process that cannot be completed.

In particular, it is extremely dangerous to inlay on thin tires. It can be worn out by grooving carelessly. The pressure of gold wire and gold foil is slightly greater, and the utensils are easily broken. An exquisite thin fetal gold and silver misplaced gemstone jade device is difficult to produce successfully.

The producer must have two superb craftsmanship, including jade processing and gold and silver inlays. Therefore, it is difficult to see a few pieces of gold and silver in the vast jade products.

The gold and silver wrong craftsmanship is a treasure of the Chinese nation and a wonderful work of the crafts industry. May it have a long history and flourish.

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