"Scenery" is a good national quintessence dream Xiangtai blue series

Past and present cloisonne

Cloisonné, also known as "copper tire 掐 silk 珐琅", commonly known as "indigo", also known as "embedded 珐琅", about the origin of cloisonne, the archaeological community has not yet had a unified answer. One view is that cloisonne was born in the Tang Dynasty; the other is that when the Kublai Khan in the Yuan Dynasty was sent to China from the West Asia and the Arab region, it was first popular in Yunnan, and later it was loved by the people of Beijing and was introduced to the Central Plains. However, it is recognized by the academic circles that during the Jingtai period of the Ming Dynasty, the Chinese cloisonne production process reached a new peak period, and the enamel glaze used was mostly blue, hence the name “cloisonne”. The traditional cloisonné is made of thin flat copper wire, and various patterns are drawn on the copper tires, and then the colorful dots are filled in the pattern, and then fired, smoothed, and plated. Its appearance is crystal and moist, bright and dazzling, integrating art, craft, engraving, inlay, metallurgy and other crafts. It is one of the most traditional handicrafts with national characteristics in China. It has a rich cultural history of more than 600 years. Make it a well-deserved treasure of national treasures.

The old cloisonne art was exclusively used by the royal family to become a symbol of power and status. For a long time, cloisonne is an important part of the royal daily life. Whether it is the main furnishings of the palace hall, it is also the treasure of the town hall; the Golden Palace of the Forbidden City, or the Paiyun Temple of the Summer Palace, etc., in these emperors The halls of the temple can all see the jewel-like radiance of cloisonne. According to historical records: On the New Year's Eve dinner of the 44th year of Emperor Qianlong, only the tableware of Emperor Qianlong was cloisonne, and the rest of the people were porcelain. This shows the role of cloisonne in Chinese history.

As the royal ware of the palace, the cloisonne has a glaze color, a rough silk thread, and a rich embossing. It was not seen as a commodity in the market until the late Qing Dynasty, and it began to be exported abroad during the Daoguang period. In 1904, at the Chicago World Expo in the United States, the cloisonne "Bao Ding Furnace" won the first prize, and then won the first prize at the Panama International Exposition in 1915. Since then, cloisonne has gained a great reputation in the international arena and has since become a representative process of Chinese art civilization in the world. It is precisely because of the historical significance and craftsmanship it represents that cloisonne is often presented as a valuable gift to the distinguished guests of the country by the relevant state departments, thereby enhancing international exchanges and solidarity. China's first National Games and the Asian-African and Asian-African table tennis tournaments all use cloisonne as a trophy to reflect the supreme honor of the winners with its ancient and famous artistic value. In 2006, cloisonné was listed as the first batch of intangible cultural heritage by its country, and it was called the four famous names of Beijing handicrafts with lacquer, jade and ivory. It was also the hot art in the eyes of the people because of its high collection appreciation value. Treasures.

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