Living in the Humanistic Beauty at the Beginning of the Left-Landscape Tragedy Universe, China International Fashion Week 18AW

Living in the left with a graceful fashion language and simple craftsmanship to interpret the brand's characteristics: "In the new world where 'Littering flowers are fascinating for the eye', living in the left cares and explores everything related to humanity, tracing back to the beginning of the universe. The beauty embraces individual differences and different cultural traits, and encourages the integration and innovation of tradition and modernity." This season, living in the left with a posture of a protector and inheritor, together with 24 Chinese arts and crafts artists and inheritors, they jointly take care of Chinese traditional culture and create a brand new Chinese brand image. In addition, living in the left invited the famous Canadian modern dance artist XINGBANG FU and China Wu Xiansui young artist Ma Siyu to perform modern improvisation performances. The two artists performed in a show with local dialects, and did not deliberately associate with each other, creating a complete performance with independent performance. A different appreciation space, through the language of one's own body language and finger-picking language, combined with the modern dance and the classical art form of the five-stringed cymbals, dedicate a brand-new Chinese fashion show together with the designers living in the left.

In this season, living in the left is the theme of "Dialect". By searching for the characteristics of dialects in different regions of the Chinese nation, we combine the special regional craftsmanship and cultural traits of various non-inherited Chinese nationals. Taking the "diversity" and "source" as the design inspiration for a new series of designs, the traditional language conveys the beauty of a different kind of art, visualizes it, and gives language more aesthetic appeal.

Using the four series of “Southern Place”, “Wuhan Soft Language”, “Kingoon Jingyu”, and “No-word Tianshu” to divide different Chinese culture and customs and living customs, extract different handicraft style characteristics, and transmit dialects of different regions. Culture, awakening the initial memory of modern people. The classical streamlined tailoring of the Oriental beauty also interprets the “line” thinking mode between the brush and the paper in Chinese traditional paintings in a creative way. The “line” presents a state of dynamic and static stay on the body, which maximizes the preservation of fabrics. This is also the brand's reflection on current China's "energy and consumption." To help the main body to keep the whole with wonderful and vivid details, to explore the process of independence and fusion in the development and evolution of "dialect" itself. It is also a reflection on the "individual" and "whole" of dialect culture itself in different regions of China.

Combining the brand's long-term preference for high-brightness, low-saturation color with agility, under the guidance of Huang Ronghua, a natural dyeing inheritor in China, the designer chose more traditional colors and traditional dyeing techniques, which not only retained the history It also shows modern lightness. The designer blurs the boundaries between the "dynamic and static" philosophical thinking in Oriental aesthetics and merges modern and traditional materials, traditions, and modern colors into one. On the clothing pattern, the designers blended patterns of traditional and modern styles, and researched and developed: "The Book of Heaven", "the heart of the earth" with new exclusive patterns, which is also living in the Institute for the Left Traditional Life since the establishment of the "Traditional and Thinking of Modern Life, and Thinking of "Past, Modern and Future". Therefore, this time the designers will present a “Cross-Crossing” and “Cross-Picture” modern apparel work that will lead the audience back to the beginning of their lives.