I don’t know if you know jade.

In the middle of the Qing Dynasty, white jade leaves the skin empty

Since the reform and opening up, especially since the lifting of cultural relics, the jade wares have been played. “Junzi Peiyu” is a long-standing tradition since the Shang and Zhou Dynasties. However, if there are various names such as 珮, 琮, 玦, 瑗, 瑗, 璧, 珑, 珠, 璜, etc., if they are arranged, they can really show an ancient era. Life history. Confucius said: "The gentleman of the past is better than Yude, warm and zeal, and also benevolent." This combines jade with the moral requirements of human beings. From the object and the person, jade becomes a supreme human symbol; just like the bronze dynasty and the like symbolizes authoritarianism. In the ancient Bronze Age of China, Jiangnan was not dominant and had to be inferior to the northwest and the Central Plains; but if it was about jade culture, since the Liangzhu, the Jiangsu-Zhejiang region was the first opportunity and the great country.

Lu Zigang was a master of jade generation in the late Ming Dynasty. In Jiajing and Wanli years, the manufacture of jade articles was crowned by Suzhou, Jiangsu. Spread to the world, divided into Suzhou School, Beijing School and Yangzhou School. Suzhou is the crown of all factions; Lu Zigang is the crown of Suzhou, and its "river and lake status" can be seen.

Lu Zigang's most admirable thing is that his jade process is different from the general sand mill, but it is directly carved with a knife, and it is intended to be a pen, and it is a finished product after a little grinding. The development of this technology, there are still blind spots that we do not understand - jade is very hard, the general tool is difficult to engrave; even if the knife is sharp enough, people's wrist fingers do not have such strong strength. Therefore, the general carving jade, the case is not engraved, but the sand is the main. When I was a teenager, I saw a jade carving work by a student of jade carving in the arts and crafts school. The sand washing water was grinded by gold, and the two hands were soaked in the water all the time. The kind of super patience calculated by the moon or the year, the kind of slow work, so far. I want to come and see it. In the near future, in addition to the mechanization of the equipment in the Ming Dynasty, the degree of mechanization is not as good as that of the modern world. However, it is undoubtedly common sense to sand and grind it instead of carving it with a knife. Because this is a tradition that has been traversing thousands of years, Lu Zigang's engraved jade has become a wonderful work in the history of jade craftsmanship, an alternative record. It is a pity that after his death, the engraving of jade stunts and no one knows, it is really a regrettable sigh! From the artistic point of view: Lu Zigang's engraving jade stunt makes the Ming and Qing jade masters he commanded add a new aesthetic sense to the traditional aesthetic taste of mellow and delicate, which attaches importance to the meaning of the brush and the slight scent. Knife knife knows, we can call it the "freehand" faction in the jade world. This kind of charm is only slightly in the early stage when the jade manufacturing tools and technical content are not perfect enough, and it should be the original rough and immature sign; after the art of carving and sanding is perfect, everything is fine. For Shang, gradually revealing the art of craftsmanship, the original "rhyme" and "meaning" are neglected, and the shadows are drawn, according to the figure, like the "licensed" work in the city painting shop, furniture From the simple style to the clear style, there is no beauty, and the beauty of the rhythm. Today's engraving, the difference between hand-engraved and computer-machined engravings is enough to prove the difference between them.

Every time Lu Zigang has a work, he must engrave the words "Zi Gang" or "Zi Gang". Every time he sees it is a master of the pen, he is charming and moving, and it is full of charm. The position of the carved section is very delicate at the bottom, the cup, the spout, and the inside of the cover. It is especially important that the jade wares that Lu Zigang treats are mostly stationery and daily utensils, such as pen wash and water jet. , pen holder, pen holder, printing bed and cup, plate, pot, etc. Different from the plastic shapes of bronzes, lacquerware, woodware, porcelain, etc., the material of jade is natural, and most of them can only be made into small pieces. However, in this way, the masterpieces of the masterpieces are passed down from generation to generation in the famous family. It is regarded as a treasure, and the name of Lu Zigang has also been used for the sake of the ages.

Among Lu Zigang’s handed down works, there are white jade and sacred cups in the Palace Museum, landscape figures, green jade box, and baby jade pots; the capital museum and the jade and jade phoenix statues are the masterpieces. The common features are: the plane relief of painting (that is, the later thin sense), the absorption of the composition of the painting perspective, and the poetry and engraving of the calligraphy. The commentator believes that as a jade artist, there are three special features compared with his previous counterparts. First, he introduced the beauty of Chinese painting (planar) image for the jade pattern; the second is the introduction of ancient pottery, especially the shape pattern of bronze, such as elephant nose button, 螭 tiger pattern, phoenix pattern, etc. The value of the traditional high ancient; the third is to show the charm of the calligraphy line with the elasticity of the lines. Because of these advantages, "Lu Zigang" has a big name in the world, all the more elegant jade, craftsmen are used to using the "Zi Gang" or "Zi Gang" imitation to find high prices. Since the Ming and Qing Dynasties, such jade articles have been regarded as treasures in major museums and private collectors, making it difficult to distinguish the difference between genuine and imitation. Usually jade appraisers will regard some jade articles with Ming Dynasty jade features, exquisite shapes, paintings or three generations of sculpt styles, and "Zigang" 篆 books, as real. In the Qing Dynasty, the jade style and craftsmanship changed greatly. Although there were many people in the “Zigang” section, in order to be strict and stable, they would not enter the real thing. This is a bit like we have identified Wu Changshuo, who has a ghost record in his life, but it is difficult to divide. If you encounter a higher level, even if you suspect that it may be a ghostwriter such as Zhao Yunqi and Wu Dongmai, as long as Wu Changshuo personally falls long, it is still considered to be the original. The same is true for Lu Zigang: because the works of the world are rare, as long as they are the Ming style, and they are in conformity with the three conditions of painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting Money, it is the real thing. In contrast, in the Qing Dynasty, from the internal government to the giants, the collectors of the "Zi Gang" are not rare, but the modeling process is different from the Ming Dynasty, and there are many more in existence.

The identification of jade artifacts is called difficult, and the millennium polylith is formed. It is difficult to divide and break the material on the material. It can only judge the era from the process of shape, pattern, engraving style (including the mode of payment). The authenticity of a famous family is also due to the fact that playing jade has a different taste from porcelain, bronze, lacquerware and wood. If you add the elegant "Junzi Peiyu", you will be able to play with your pendant at any time, so that the appreciation collection can be dissolved in our daily life, and it will be happy in the daytime, depending on the bronze white porcelain and bamboo paint. , is another scene!

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